In this monumental work, I employ scale as a tool of resistance against censorship and invisibility. By depicting two women in an intimate encounter across a surface exceeding two meters, my intention is clear: to affirm that lesbian sex exists, is legitimate, and is complete, even—and especially—in the absence of a phallus.

​

The piece, which lends its name to the two-person exhibition with María Abaddon, proposes a contemporary re-reading of affection. While the Western classical tradition used the memento mori to remind us of life’s finitude, "Remember to Love" anchors the reminder in a corporal and political dimension. Far from bourgeois ideals of romantic harmony or reproductive unity, love here is constructed from the materiality of the body and shared desire.

​

This drawing does not seek to be complacent; rather, it aims to occupy the public sphere with the private. As noted in the curatorial text, the work explores new ways of imagining contemporary relationships, where something sacred and enduring appears precisely within the carnal ebb and flow that commerce and calculation often attempt to hollow out. It is an invitation to recognize that pleasure does not have to return us to loneliness; instead, it can be the foundation of a collective and profoundly human construction.